Working as an independent stills photographer in the field of information and knowledge production, I quickly came to the understanding that the work I was producing constituted an archive, or was capable of being understood as an archive. This realization came from my early association and membership of the Afrapix collective and agency which operated from the early eighties until around 1991.


The photographers who constituted Afrapix all kept individual ownership and custody of the negatives of the work they produced, and Afrapix would then distribute the images via a photographic print. Photographers regularly produced more prints of the ones kept in the Afrapix library as these went out for reproduction in the various publications they were to be used in.

When Afrapix disbanded in the early nineties, the prints, which were still in the library were returned to the individual photographers to whom they belonged. Continue reading